| In-Text |
why a proportionable and equall disposition of sounds and voices, the tremblings, vibrations, and artificiall curlings of the ayre (which in effect he calls, The substance of all Musicke ) should so strangely set passions aloft, |
why a proportionable and equal disposition of sounds and voices, the tremblings, vibrations, and artificial curlings of the air (which in Effect he calls, The substance of all Music) should so strangely Set passion aloft, |
c-crq dt j cc j-jn n1 pp-f n2 cc n2, dt n2-vvg, n2, cc j n2-vvg pp-f dt n1 (r-crq p-acp n1 pns31 vvz, dt n1 pp-f d n1) vmd av av-j vvn n2 av, |