In-Text |
when, I say, that sad original is thus copied upon us, there is no avoiding the sight, no escaping the acknowledgment of that great Painter's face, that drew these parallel signatures both on Christ and us, |
when, I say, that sad original is thus copied upon us, there is no avoiding the sighed, no escaping the acknowledgment of that great Painter's face, that drew these parallel signatures both on christ and us, |
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