Clavis mystica a key opening divers difficult and mysterious texts of Holy Scripture; handled in seventy sermons, preached at solemn and most celebrious assemblies, upon speciall occasions, in England and France. By Daniel Featley, D.D.
Featley, Daniel, 1582-1645
Publisher: Printed by R obert Y oung for Nicolas Bourne at the south entrance of the royall Exchange
Place of Publication:
London
Publication Year: 1636
Approximate Era: CharlesI
TCP ID: A00593 ESTC ID: S121363 STC ID: 10730
Subject Headings:
Sermons, English -- 17th century;
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Segment 11279 located on Image 11
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| Location | Text | Standardized Text | Parts of Speech |
|---|---|---|---|
| In-Text | Saint |
Saint Cyprian thus Schools a young Jezebel in his days: | n1 jp av n2 dt j np1 p-acp po31 n2: |
| Note 0 | Cyp. de hab. virg. Nonne metuis oro quae talis es, ne cum resurrectionis dies venerit, artif•x tuus te non recognoscat? ad sua praemia & promissa venientem excludat, & removeat, increpans vigore censoris & judicis: opus hoc meum non est, nec haec imago nostra est, cutem falso medicamine polluisti, crinem adultero colore mutásti, Deum videre non poteris, cùm oculi tibi non sint quos Deus fecit, sed quos Diabolus infecit. | Cyprus de hab. Virg. Nonne metuis oro Quae Talis es, ne cum resurrectionis dies venerit, artif•x Thy te non recognoscat? ad sua praemia & Promissa venientem excludat, & removeat, increpans Vigour censoris & Judges: opus hoc meum non est, nec haec imago nostra est, cutem False medicamine polluisti, crinem adultero colore mutásti, God To see non poteris, cùm oculi tibi non sint quos Deus fecit, sed quos Diabolus infecit. | np1 zz wd. n1. n1 fw-la fw-la fw-la fw-la fw-la, fw-fr fw-la fw-la fw-la fw-la, fw-la fw-la fw-la fw-la fw-la? fw-la fw-la fw-la cc fw-la fw-la fw-la, cc n1, n2 uh fw-la cc fw-la: fw-la fw-la fw-la fw-la fw-la, fw-la fw-la fw-la fw-la fw-la, fw-la fw-la n1 fw-la, fw-la fw-la fw-mi fw-la, fw-la fw-la fw-la fw-la, fw-la fw-la fw-la fw-la fw-la fw-la fw-la fw-la, fw-la fw-la fw-la fw-la. |
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The index of citation indicates its position within the text of the segment or a particular note of the segment.
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