In-Text |
We may illustrate this by the practice of Aretius a Painter, recorded with Infamy, who being often imployed to paint the Goddesses to be set in the Pagan Temples, always drew their Pictures by the Faces and Complexions of his Harlots, that the Objects of his impure Love might have Veneration, |
We may illustrate this by the practice of Aretius a Painter, recorded with Infamy, who being often employed to paint the Goddesses to be Set in the Pagan Temples, always drew their Pictures by the Faces and Complexions of his Harlots, that the Objects of his impure Love might have Veneration, |
pns12 vmb vvi d p-acp dt n1 pp-f np1 dt n1, vvn p-acp n1, r-crq vbg av vvn pc-acp vvi dt n2 pc-acp vbi vvn p-acp dt j-jn n2, av vvd po32 n2 p-acp dt n2 cc n2 pp-f po31 n2, cst dt n2 pp-f po31 j n1 vmd vhi n1, |
Note 0 |
Flagitio insigni, semper alicujus foeminae amore flagrans & ob id Deas pingens sub dilectarum imagine. Ita { que } scorta ejus venerabantur. Plin. |
Flagitio insigni, semper alicujus foeminae amore flagrans & ob id Deas pingens sub dilectarum imagine. Ita { que } scorta His venerabantur. Pliny |
fw-la fw-la, fw-la fw-la fw-la fw-la fw-la cc fw-la fw-la np1 fw-la fw-la fw-la vvb. fw-la { fw-fr } fw-mi fw-la fw-la. np1 |