The Churches authority asserted in a sermon preached at Chelmsford, at the metropoliticall visitation of the most Reverend Father in God, VVilliam, Lord Arch-bishop of Canterbury his Grace, &c. March 1. 1636. By Samuel Hoard B.D. and Parson of Morton in Essex.

Hoard, Samuel, 1599-1658
Publisher: Printed by M iles F lesher for John Clark and are to be sold at his shop under S Peters Church in Cornhill
Place of Publication: London
Publication Year: 1637
Approximate Era: CharlesI
TCP ID: A03409 ESTC ID: S104116 STC ID: 13533
Subject Headings: Sermons, English -- 17th century;
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Segment 297 located on Page 30

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Location Text Standardized Text Parts of Speech
In-Text Socrates tells us, that the custome of singing Anthems in the Church, was brought in by S. Ignatius the Bishop of Antioch; because having heard some Angels in a vision chanting out the praises of God with interchangeable notes, hee thought it would be a good exercise for Gods earthly Angels in their publique assemblies, which are NONLATINALPHABET, a heaven on earth. And S. Ambrose, because hee made account that singing had no small efficacy in it ad commovendum ad pictatem animum, to move the minde to godlinesse, (saith S Austin in one place) and lest the people being heavily afflicted with the Arrian persecution, Moeroris tadio contabesceret, should pine away with too much sorow, (saith the same Father in another place) appointed singing to be used in the Oh: Socrates tells us, that the custom of singing Anthems in the Church, was brought in by S. Ignatius the Bishop of Antioch; Because having herd Some Angels in a vision chanting out the praises of God with interchangeable notes, he Thought it would be a good exercise for God's earthly Angels in their public assemblies, which Are, a heaven on earth. And S. Ambrose, Because he made account that singing had no small efficacy in it and commovendum ad pictatem animum, to move the mind to godliness, (Says S Austin in one place) and lest the people being heavily afflicted with the Arrian persecution, Moeroris tadio contabesceret, should pine away with too much sorrow, (Says the same Father in Another place) appointed singing to be used in the O: npg1 vvz pno12, cst dt n1 pp-f vvg n2 p-acp dt n1, vbds vvn p-acp p-acp zz np1 dt n1 pp-f np1; c-acp vhg vvn d n2 p-acp dt n1 vvg av dt n2 pp-f np1 p-acp j n2, pns31 vvd pn31 vmd vbi dt j n1 p-acp npg1 j n2 p-acp po32 j n2, r-crq vbr, dt n1 p-acp n1. cc np1 np1, c-acp pns31 vvd n1 cst vvg vhd dx j n1 p-acp pn31 cc fw-la fw-la fw-la fw-la, pc-acp vvi dt n1 p-acp n1, (vvz sy np1 p-acp crd n1) cc cs dt n1 vbg av-j vvn p-acp dt n1 n1, fw-la fw-la fw-la, vmd vvi av p-acp av d n1, (vvz dt d n1 p-acp j-jn n1) vvd vvg pc-acp vbi vvn p-acp dt uh:
Note 0 So•. eccl. hist•l. 6. c. 8. So•. Ecclesiastes. hist•l. 6. c. 8. np1. fw-mi. uh-av. crd sy. crd
Note 1 Aug ep. 1 •9 Aug Epistle. 1 •9 np1 vvi. crd n1
Note 2 Aug conses. l. 9 c 7. Aug Conses. l. 9 c 7. np1 n2. n1 crd sy crd




Quotations and Paraphrases (QP)

Adjacent References with Relevance: Epistle 1
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Citations
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Note 1 ep. 1 Epistle 1