| Note 0 |
Pompa est Diaboli, in theatris spectacula, in Hippodromo cursus equorum, & venationes, & reliqua omnis ejuscemodi vanitas, à qua postulans liberati sanctus ille Dei, Averte inquit, oculos meos, ne videant vanitatem. Non ergo sis curiosus frequentia spectaculorum, &c. Cyrill. Hierosolym. Cateches. Mystag. 1. vocis illius recorderis, quam dum sacris initiareris, emisisti, Abrenuncio tibi Sathana, & pompae tuae, & cultuti tuo. Circa margaritarum enim curam in sania est pompa Sathanica. Aurum enim cepisti, non ut corpus vincias sed ut pauperes solvas & enutrias. Dic igitur continuò, Abrenuncio tibi, Sathana: Nihil hac voce tutius, si ipsam per opera exhibeamus. Chrysost. Homil. 21. pa. 244. tom. 1. Pompa verò sathanica sunt NONLATINALPHABET, pag. sequ. Of the same esteemed detestation and professed abjuration are all lewd rimes, wanton songs, obscaene dances, &c. Thou diddest renounce them all, devoting thy self to Christs service, saith he, Remember thy word and that promise, and do not by the present or too morrows sports and revels, renounce that renunciation, Id. in Homil. 47. in Julian. pa. 544. Quid enim in circo faciebat, (says Sathan) atque ibi furias, lites, insanas voces, manesque victorias, (Cum jam à se alienus sibimet videbatur) videbat? Quid in theatro faciebat renunciator turpium voluptatum? Quid in amphitheatro — & c? Haec omnia mea post renunciationem invasit: Meus esse voluit, & Mea concupivit. Goncio ad Catechum. cap. 4. tom. 6. pa. 24. vid. etiam lib. de Symbolo ad Catechumen, lib. 4. cap. 1. Quae est enim in Baptismo salutari Christianorum prima confessio? Quae, sc. nisi ut renunciare se diabolo ac pompis ejus, atque spectaculis & operibus protestentur? Ergo spectacula, & pompae etiam juxta nostram professionem sunt opera Diaboli. Quomodo, ô Christiane, spectacula post Baptismum sequeris, quae opus esse Diaboli confiteris? Renunciasti semel Diabolo & spectaculis ejus, ac per hoc necesse est, prudens & sciens dum ad spectacula remeas, ad Diabolum te redire cognoscas. Salvian. Massil. de gubernat. Dei, lib. 6. The gallants of our age would account this precise Doctrin: that gaming, racing, staging, hunting, dancing, &c. should be a breach of Articles of their Christendom, and a violation of the Covenant of their God! If they have been Christened (they know how) let them think again, and own this preciseness of severe life for no less then sacred and sworn duty, or they are as they are. Theatralibus ludis qui dat operam, venationibus, equorum cursibus ac certaminibus, vel desistat vel rejiciatur. So the Apostles Canons; let them leave their vanity or their profession, lib. 8. cap. 38. Scaenicus (sive vir, sive mulier) auriga, gladiator, Cursor stadii, Olympius, Choraules, Citharaedus, Lyrista, no less, ib. O, for the power of our Religion! that we were but as we are BOƲND to be! and the conditions of our Faith seen in our works! Then should not infidelity stand before us, but GOD be glorifyed in all his Saints. |
Pompa est Diaboli, in theatris spectacles, in Hippodromo cursus equorum, & venationes, & Rest omnis ejuscemodi vanitas, à qua postulans Liberati Sanctus Isle Dei, Avert inquit, Eyes meos, ne See vanitatem. Non ergo sis Curious Frequentia spectaculorum, etc. Cyril. Jerusalem. Cateches. Mystag. 1. Vocis Illius recorderis, quam dum sacris initiareris, emisisti, Abrenuncio tibi Satan, & pompae tuae, & cultuti tuo. Circa margaritarum enim curam in sania est pompa Sathanica. Aurum enim cepisti, non ut corpus vincias sed ut Paupers solvas & enutrias. Die igitur continuò, Abrenuncio tibi, Satan: Nihil hac voce Tutius, si ipsam per opera exhibeamus. Chrysostom Homily 21. Paul. 244. tom. 1. Pompa verò sathanica sunt, page. sequ. Of the same esteemed detestation and professed abjuration Are all lewd rhymes, wanton songs, obscene dances, etc. Thou didst renounce them all, devoting thy self to Christ service, Says he, remember thy word and that promise, and do not by the present or too morrows sports and revels, renounce that renunciation, Id. in Homily 47. in Julian. Paul. 544. Quid enim in circo faciebat, (Says Sathan) atque There furias, lights, insanas voces, manesque victorias, (Cum jam à se alienus sibimet Videbatur) videbat? Quid in Theatre faciebat renunciator turpium voluptatum? Quid in amphitheatro — & c? Haec omnia mea post renunciationem invasit: Meus esse voluit, & Mea concupivit. Goncio ad Catechum. cap. 4. tom. 6. Paul. 24. vid. etiam lib. de Symbolo ad Catechumen, lib. 4. cap. 1. Quae est enim in Baptismo Salutari Christians prima confessio? Quae, sc. nisi ut renunciare se diabolo ac pompis His, atque spectaculis & operibus protestentur? Ergo spectacles, & pompae etiam juxta nostram professionem sunt opera Diaboli. Quomodo, o Christian, spectacles post Baptism sequeris, Quae opus esse Diaboli confiteris? Renunciasti semel Diabolo & spectaculis His, ac per hoc Necessary est, Prudens & sciens dum ad spectacles remeas, ad Diabolum te Redire cognoscas. Salvian. Massil. de Governor. Dei, lib. 6. The gallants of our age would account this precise Doctrine: that gaming, racing, staging, hunting, dancing, etc. should be a breach of Articles of their Christendom, and a violation of the Covenant of their God! If they have been Christened (they know how) let them think again, and own this preciseness of severe life for no less then sacred and sworn duty, or they Are as they Are. Theatralibus ludis qui that Operam, venationibus, equorum cursibus ac certaminibus, vel desistat vel rejiciatur. So the Apostles Canonas; let them leave their vanity or their profession, lib. 8. cap. 38. Scaenicus (sive vir, sive mulier) auriga, gladiator, Cursor stadii, Olympius, Choraules, Citharaedus, Lyrista, no less, ib. O, for the power of our Religion! that we were but as we Are BOƲND to be! and the conditions of our Faith seen in our works! Then should not infidelity stand before us, but GOD be glorified in all his Saints. |
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